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Jean Marc Nattier The Earth oil painting


The Earth
Painting ID::  77468
Jean Marc Nattier
The Earth
Date 1750(1750) Medium Oil on canvas Dimensions 107 ?? 138 cm (42.1 ?? 54.3 in) cyf

   
   
     

Jean Marc Nattier Louise Henriette de Bourbon Conti oil painting


Louise Henriette de Bourbon Conti
Painting ID::  77621
Jean Marc Nattier
Louise Henriette de Bourbon Conti
ca. between 1745(1745) and 1750(1750) Medium Oil on canvas Dimensions 129 ?? 96 cm (50.8 ?? 37.8 in) cyf

   
   
     

Jean Marc Nattier Duchesse de Chateauroux oil painting


Duchesse de Chateauroux
Painting ID::  77715
Jean Marc Nattier
Duchesse de Chateauroux
1740(1740) Medium Oil on canvas Dimensions 81 x 96 cm (31.9 x 37.8 in) cyf

   
   
     

Jean Marc Nattier Mlle oil painting


Mlle
Painting ID::  77976
Jean Marc Nattier
Mlle
Medium Oil on canvas Dimensions 54 x 47.5 cm (21.3 x 18.7 in) cyf

   
   
     

Jean Marc Nattier Portrait of Jeanne Louise de Lorraine oil painting


Portrait of Jeanne Louise de Lorraine
Painting ID::  77985
Jean Marc Nattier
Portrait of Jeanne Louise de Lorraine
Date 1732(1732) Medium Oil cyf

   
   
     

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     Jean Marc Nattier
     1685-1766 French Jean Marc Nattier Gallery Brother of Jean-Baptiste Nattier. As well as being taught by his father, he trained with his godfather, Jean Jouvenet, and attended the drawing classes of the Academie Royale, where in 1700 he won the Premier Prix de Dessin. From around 1703 he worked on La Galerie du Palais du Luxembourg. The experience of copying the work of Rubens does not, however, seem to have had a liberating effect on his draughtsmanship, which was described by the 18th-century collector Pierre-Jean Mariette as cold. Nattier was commissioned to make further drawings for engravers in the early part of his career, including those after Hyacinthe Rigaud famous state portrait of Louis XIV (1701; Paris, Louvre) in 1710, which indicates that he had established a reputation while he was still quite young. Although he was offered a place at the Academie de France in Rome on the recommendation of Jouvenet, Nattier preferred to remain in Paris and further his career. In 1717 he nevertheless made a trip to Holland, where he painted portraits of Peter the Great and the Empress Catherine (St Petersburg, Hermitage). The Tsar offered Nattier work at the Russian court, but the artist declined the offer. He remained in Paris for the rest of his life.

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